“Alright Mr. DeMille, I’m ready for my close-up”.
Remember that legendary scene from Sunset Blvd? One of the most infamous scenes in all of filmdom – about a close-up – and it wasn’t shot on a close-up...not even close. I am no film director. I don’t pretend to be. And who am I to second guess the great director Billy Wilder? Well, nobody, but I’m going to do it anyway.
I’m assuming he had his reasons for not shooting Gloria Swanson’s scene about Norma Desmond wanting a close-up on a close-up. Might have been some artistic choice. What he essentially did was have her “walk into” her close-up. Then the music and the visual effects turn dark and grim revealing the monster she is as the scene fades to black. I think it would have been much more powerful to shoot Swanson on a close-up leading up to the line to clearly illustrate that she is deranged. We could have seen the whites of her eyes and the psychopathy of the moment. Yes, in the waist shot, which Wilder chose, we got that impression with her hands dancing and twisting in the air. But the power of the moment is what is revealed in any close-up, and we were denied that moment. The scene faded before the real close-up came. Maybe Wilder deliberately denied us of that moment. Or was he just denying Norma her close-up? Like I said, I’m no film director.